{"id":8415,"date":"2015-02-11T08:46:54","date_gmt":"2015-02-11T08:46:54","guid":{"rendered":"https:\/\/coopsy.co.uk\/thenews\/?p=8415"},"modified":"2015-03-17T13:59:07","modified_gmt":"2015-03-17T13:59:07","slug":"coming-soon-a-mad-world-my-masters","status":"publish","type":"post","link":"https:\/\/the-news.uk\/index.php\/brighton-entertainments\/2015\/02\/coming-soon-a-mad-world-my-masters\/","title":{"rendered":"A Mad World My Masters"},"content":{"rendered":"<p><strong>\u00a0<\/strong><\/p>\n<p><strong>English Touring Theatre presents the Royal Shakespeare Company production of<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<h3><strong>A MAD WORLD MY MASTERS<\/strong><\/h3>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Tue 10 \u2013 Sat 14 Mar <\/strong><\/p>\n<p><strong>Eves 7.30pm <\/strong><\/p>\n<p><strong>Thu &amp; Sat mats 2.30pm <\/strong><br \/>\nLondon, Soho&#8230; 1956. Where glamour rubs up against filth, and likes it; where the posh mix with musicians, whores and racketeers; where &#8216;virginity is no city trade&#8217;, and where a dashingly impecunious bachelor in need of quick cash and a good time has to live on his wits.<\/p>\n<p>Turning con-man to fool his rich uncle, he variously becomes a lord, a high class call girl, and \u2013 God forbid \u2013 a poor actor. But a beautiful Soho tart is also on the scam: a whore to some, a religious instructor to others, and a debutante in need of an eligible bachelor to yet more&#8230;<\/p>\n<h4><strong>Review;-<\/strong><\/h4>\n<p>What an evening! Over 5oo made up the opening night audience to enjoy what director <strong>Sean Foley<\/strong> describes as;<\/p>\n<h4><strong>&#8220;The filthiest play I&#8217;ve ever read.&#8221;<\/strong><\/h4>\n<p>Thomas Middleton&#8217;s Jacobean classic is extremely raunchy and set in anything goes 1950&#8217;s Soho which was a decade ahead of the swinging sixties when it was all happening.<\/p>\n<p><strong>Ian Redford<\/strong> is particularly fine as Sir Bounteous Peersucker. All of <strong>Middleton&#8217;s<\/strong> characters have joke names stemming from an era when satire was the central form of protest-originally called Sir Bounteous Progress because when the King has a &#8216;progress&#8217; he stayed with up and coming hosts anxious to show off their wealth in the hope of further social advancement- and Foley has modernised it to &#8216;Peersucker&#8217;. Likewise the Short-Rods have become the &#8216;Littledicks&#8217;.<\/p>\n<p><strong>Ishia Bennison<\/strong> as Mrs Kidman was very entertaining as she managed her daughter&#8217;s activities, Truly Kidman, played by <strong>Pearl Mackie.\u00a0<\/strong><\/p>\n<p>The acting was first rate with some thrilling fight scenes which must of needed some hard work for them to go so smoothly considering the numbers involved-Fight Choreographer <strong>Alison de Burgh<\/strong> should be applauded.<\/p>\n<p><strong>An excellent evening&#8217;s entertainment full of excitement \u00a0and great laughs.<\/strong><\/p>\n<p><a href=\"https:\/\/coopsy.co.uk\/thenews\/wp-content\/uploads\/A-Mad-World-My-Masters.-Photo-credit-Manuel-Harlan-8.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-8576\" src=\"https:\/\/coopsy.co.uk\/thenews\/wp-content\/uploads\/A-Mad-World-My-Masters.-Photo-credit-Manuel-Harlan-8-570x379.jpg\" alt=\"A Mad World My Masters. Photo credit - Manuel Harlan (8)\" width=\"570\" height=\"379\" srcset=\"https:\/\/the-news.uk\/wp-content\/uploads\/A-Mad-World-My-Masters.-Photo-credit-Manuel-Harlan-8-570x379.jpg 570w, https:\/\/the-news.uk\/wp-content\/uploads\/A-Mad-World-My-Masters.-Photo-credit-Manuel-Harlan-8-300x200.jpg 300w\" sizes=\"auto, (max-width: 570px) 100vw, 570px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/coopsy.co.uk\/thenews\/wp-content\/uploads\/A-Mad-World-My-Masters.-Photo-credit-Manuel-Harlan-7.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-8579\" src=\"https:\/\/coopsy.co.uk\/thenews\/wp-content\/uploads\/A-Mad-World-My-Masters.-Photo-credit-Manuel-Harlan-7-570x379.jpg\" alt=\"A Mad World My Masters. Photo credit - Manuel Harlan (7)\" width=\"570\" height=\"379\" srcset=\"https:\/\/the-news.uk\/wp-content\/uploads\/A-Mad-World-My-Masters.-Photo-credit-Manuel-Harlan-7-570x379.jpg 570w, https:\/\/the-news.uk\/wp-content\/uploads\/A-Mad-World-My-Masters.-Photo-credit-Manuel-Harlan-7-300x200.jpg 300w\" sizes=\"auto, (max-width: 570px) 100vw, 570px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/coopsy.co.uk\/thenews\/wp-content\/uploads\/A-Mad-World-My-Masters.-Photo-credit-Manuel-Harlan-4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-8578\" src=\"https:\/\/coopsy.co.uk\/thenews\/wp-content\/uploads\/A-Mad-World-My-Masters.-Photo-credit-Manuel-Harlan-4-570x379.jpg\" alt=\"A Mad World My Masters. Photo credit - Manuel Harlan (4)\" width=\"570\" height=\"379\" srcset=\"https:\/\/the-news.uk\/wp-content\/uploads\/A-Mad-World-My-Masters.-Photo-credit-Manuel-Harlan-4-570x379.jpg 570w, https:\/\/the-news.uk\/wp-content\/uploads\/A-Mad-World-My-Masters.-Photo-credit-Manuel-Harlan-4-300x200.jpg 300w\" sizes=\"auto, (max-width: 570px) 100vw, 570px\" \/><\/a><br \/>\n&nbsp;<\/p>\n<p><a href=\"https:\/\/coopsy.co.uk\/thenews\/wp-content\/uploads\/A-Mad-World-My-Masters.-Photo-credit-Manuel-Harlan-3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-8577\" src=\"https:\/\/coopsy.co.uk\/thenews\/wp-content\/uploads\/A-Mad-World-My-Masters.-Photo-credit-Manuel-Harlan-3-570x379.jpg\" alt=\"A Mad World My Masters. Photo credit - Manuel Harlan (3)\" width=\"570\" height=\"379\" srcset=\"https:\/\/the-news.uk\/wp-content\/uploads\/A-Mad-World-My-Masters.-Photo-credit-Manuel-Harlan-3-570x379.jpg 570w, https:\/\/the-news.uk\/wp-content\/uploads\/A-Mad-World-My-Masters.-Photo-credit-Manuel-Harlan-3-300x200.jpg 300w\" sizes=\"auto, (max-width: 570px) 100vw, 570px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/coopsy.co.uk\/thenews\/wp-content\/uploads\/Mad-World-252-2560215793-O.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-8416\" src=\"https:\/\/coopsy.co.uk\/thenews\/wp-content\/uploads\/Mad-World-252-2560215793-O-570x379.jpg\" alt=\"Mad-World-252-2560215793-O\" width=\"570\" height=\"379\" srcset=\"https:\/\/the-news.uk\/wp-content\/uploads\/Mad-World-252-2560215793-O-570x379.jpg 570w, https:\/\/the-news.uk\/wp-content\/uploads\/Mad-World-252-2560215793-O-300x200.jpg 300w\" sizes=\"auto, (max-width: 570px) 100vw, 570px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Thomas Middleton<\/strong> (1580 \u2013 1627) was an English Jacobean dramatist and poet. His principal works include <em>Women Beware Women, The Changeling, A Chaste Maid in Cheapside<\/em> and <em>The Revenger\u2019s Tragedy<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Joe Bannister<\/strong> plays Dick Follywit. His theatre credits include <em>The Witch of Edmonton, Arden of Faversham, The Roaring Girl, Titus Andronicus, A Mad World My Masters <\/em>(RSC), <em>Chariots of Fire <\/em>(Gielgud Theatre), <em>Chariots of Fire <\/em>(Hampstead Theatre), <em>Bloody Poetry<\/em> (Primavera Productions), <em>The Lion in Winter <\/em>(Theatre Royal Haymarket), <em>Much Ado About Nothing <\/em>(Cambridge Arts Theatre), <em>The Two Gentlemen of Verona <\/em>(Cambridge American Stage Tour), <em>Richard II, Empty Portrait <\/em>(CUADC), <em>Tory Boyz <\/em>(National Youth Theatre).<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Ellie Beavan<\/strong> plays Mrs Littledick. Her theatre work includes <em>The 39 Steps <\/em>(Fiery Angel), <em>Candide, A Mad World My Masters, Titus Andronicus, Spring Awakening, The Strange Case of Dr Jekyll and Mr Hyde <\/em>(RSC), <em>Dangerous Corner, The Importance of Being Earnest<\/em> (Salisbury Playhouse), <em>Charley\u2019s Aunt <\/em>(Menier Chocolate Factory), and <em>Constance <\/em>(Kings Head Theatre). For television, her credits include <em>Endeavour, My Family, Popetown, Little Ghosts, Down to Earth, Wavelength, The Wild House, Streetwise<\/em> and <em>Capital City<\/em>; and for film, <em>Les Miserables, The Snow Queen\u2019s Revenge<\/em>, <em>The Snow Queen<\/em> and <em>Buster<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Ben Deery <\/strong>plays Mr Littledick. His theatre work includes <em>Titus Andronicus, King Lear <\/em>(RSC), <em>Private Lives, The Importance of Being Earnest, Romeo and Juliet <\/em>(Royal Lyceum Theatre), <em>Most Savage and Unnatural <\/em>(The Last Refuge), <em>All Good Men <\/em>(Finborough Theatre), <em>The Woman In Black <\/em>(Fortune Theatre), <em>Anne Boleyn, All\u2019s Well That Ends Well, Henry VIII <\/em>(Shakespeare\u2019s Globe), <em>Dangerous Corner, Much Ado About Nothing <\/em>(Theatre Royal Bury St. Edmunds), and <em>La Cage Aux Folles <\/em>(Playhouse Theatre). For television, his work includes <em>Call the Midwife, Father Brown, <\/em>and <em>Our World War<\/em>; and for film <em>Hero<\/em> and <em>Red Rain<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Dennis Herdman<\/strong> plays Penitent Brothel. For theatre, his work includes <em>The Night of the Burning Pestle <\/em>(Shakespeare\u2019s Globe), <em>Around the World in 80 Days <\/em>(Royal Exchange), <em>The Secret Agent <\/em>(Young Vic), <em>Around the World in 80 Days, Bleak House <\/em>(The New Vic Theatre), <em>A Midsummer Night\u2019s Dream <\/em>(Told by an Idiot), <em>Etherdrome <\/em>(Penny Dreadful), <em>Stones in his Pocket, A Chorus of Disapproval, The Memory of Water, For All Time, Our Country\u2019s Good, The Recruiting Officer, Closer, Kiss of the Spiderwoman, Season\u2019s Greetings, Not a Game for Boys, Anorak of fire, Skylight <\/em>(Theatre by the Lake Keswick), <em>The Suicide, An Inspector Calls <\/em>(Clwyd Theatr Cymru), <em>Carnival Messiah <\/em>(Harewood House), and <em>The Mysteries <\/em>(Belgrade Theatre); and for television, <em>Brum, City Central, Close up North, The Anorak.<\/em><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Ian Redford <\/strong>plays Sir Bounteous Peersucker.\u00a0 For theatre his work includes <em>Cinderella <\/em>(First Family), <em>Our Country\u2019s Good<\/em>, <em>A Dish of Tea with Dr. Johnson, Rita Sue and Bob Too, A State Affair, Some Explicit Polaroids, Shopping and F**king <\/em>(Out of Joint Theatre Company), <em>The Golden Dragon, Baby Doll <\/em>(Drum Theatre Plymouth), <em>Brimstone and Treacle <\/em>(Arcola Theatre), <em>The Gate Keeper, A View from the\u00a0 Bridge, Antigone<\/em> (Royal Exchange) <em>Branded <\/em>(Old Vic), <em>The Permanent Way, A Laughing Matter, She Stoops To Conquer, Mother Clap\u2019s Molly House, Free <\/em>(National Theatre). For television, his work includes <em>Party Animals, Animals, Coronation Street <\/em>(series regular Keith Appleyard)<em>, Derailed, Missing, William and Mary, Regicide, The Prince and the Pauper, Trial by Fire, Second Sight, <\/em>and<em> One Foot in the Grave<\/em>; and for film, <em>Martha and Mary, The Legend of the Boogeyman, She Stoops to Conquer, Trial by Fire, Remains of the Day, Just like a Woman, Three Men and a Little Lady, Getting it Right.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Sarah Ridgeway<\/strong> plays Truly Kidman. Her theatre credits include <em>Twelfth Night <\/em>(Regent\u2019s Park Open Air Theatre), <em>Candide, A Mad World My Masters, Titus Andronicus, Days of Significance <\/em>(RSC), <em>The Accrington Pals, You Can\u2019t Take It With You <\/em>(Royal Exchange), <em>Sucker Punch <\/em>(Royal Court), <em>The Comedy of Errors <\/em>(Shakespeare\u2019s Globe), <em>\u00a0A Taste of Honey <\/em>(Salisbury Playhouse), <em>Romeo and Juliet <\/em>(Northern Broadside); and for television<em> The Making of a Lady, Dark Matters, Call The Midwife, Satisfaction, The Suspicions of Mr Whicher, <\/em>and <em>Crimson Petal and the White.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Sean Foley <\/strong>is an award-winning actor, writer and director, and the only UK theatre creative to be Olivier nominated in all three categories. \u00a0As a director, his theatre credits include <em>The Walworth Farce <\/em>(Olympia Theatre, Dublin), <em>I Can\u2019t Sing! The X Factor Musical<\/em> (Palladium), <em>Jeeves and Wooster in<\/em> <em>Perfect Nonsense<\/em> (Duke of York\u2019s Theatre, Olivier Award for Best New Comedy), <em>The Ladykillers<\/em> (Liverpool Playhouse\/Gielgud, five Oliver nominations, including Best Director, and WhatsOnStage\u00a0 Award for Best New Comedy), <em>What The Butler Saw<\/em> (Vaudeville Theatre), <em>Ben Hur<\/em> (Watermill Theatre, Newbury), <em>Change<\/em> (also writer, Garrick Theatre), <em>The Critic\/Real Inspector Hound<\/em> (co-director, Chichester Festival Theatre), <em>Armstrong and Miller Live<\/em> (tour), <em>The Painkiller<\/em> (also adapted, Lyric Theatre Belfast), <em>Joan Rivers: A Work in Progress<\/em> (Udderbelly, Edinburgh Festival and Leicester Square Theatre), and <em>Pinter\u2019s People<\/em> (Theatre Royal Haymarket).\u00a0 As founder and co-Artistic Director of the The Right Size from 1989 \u2013 2006, he originated, co-wrote and starred in a series of self-produced shows \u2013\u00a0<em>Que Sera, The Bath, Flight To Finland, Moose, Penny Dreadful, Baldy Hopkins, Stop Calling Me Vernon, Hold Me Down, Do You Come Here Often?\u00a0<\/em>and\u00a0<em>Bewilderness<\/em>.\u00a0 The company\u2019s 1999\u00a0co-production with the Almeida Theatre of\u00a0<em>Mr Puntila And His Man Matti<\/em>\u00a0by Bertolt Brecht\u00a0in a new version by\u00a0Lee Hall<strong>\u00a0<\/strong>played sold-out runs at the Traverse, Edinburgh, and the Almeida Theatre before transferring to the Albery Theatre.\u00a0 The company\u2019s other productions included <em>Do You Come Here Often?\u00a0<\/em>(Vaudeville Theatre, Olivier Award for Best Entertainment), <em>The Play What I Wrote<\/em>\u00a0(Wyndham\u2019s Theatre, Olivier Award for Best Comedy). \u00a0He also co-wrote and starred in Ducktastic!, (Albery Theatre). As an actor, his other stage credits include <em>The Play What I Wrote <\/em>(Wyndham\u2019s Theatre), <em>Hysteria <\/em>(Birmingham Repertory Theatre) and <em>I Am Shakespeare <\/em>(Chichester Festival Theatre).\u00a0 His television work includes <em>People Like Us, The Fitz, Wild West, Brass Eye,\u00a0<\/em>and\u00a0<em>Foley and McColl \u2013 This Way Up<\/em>; and for film, his work includes <em>Act Without Words. <\/em>He voiced Reynard the Fox in <em>The Harry Hill Movie<\/em>.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong><a href=\"http:\/\/www.atgtickets.com\/brighton*\">www.atgtickets.com\/brighton*<\/a> <\/strong><\/p>\n<p><strong>0844 871 7650* <\/strong><\/p>\n<p><strong>*bkg fees apply<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 English Touring Theatre presents the Royal Shakespeare Company production of \u00a0 A MAD WORLD MY MASTERS \u00a0 Tue 10 \u2013 Sat 14 Mar Eves 7.30pm Thu &amp; Sat mats 2.30pm London, Soho&#8230; 1956. Where glamour rubs up against filth, and likes it; where the posh mix with musicians, whores and racketeers; where &#8216;virginity is [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":8417,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[410],"tags":[771],"class_list":["post-8415","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-brighton-entertainments","tag-theatre-royal-brighton"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A Mad World My Masters - THE NEWS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/the-news.uk\/index.php\/brighton-entertainments\/2015\/02\/coming-soon-a-mad-world-my-masters\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Mad World My Masters - THE NEWS\" \/>\n<meta property=\"og:description\" content=\"\u00a0 English Touring Theatre presents the Royal Shakespeare Company production of \u00a0 A MAD WORLD MY MASTERS \u00a0 Tue 10 \u2013 Sat 14 Mar Eves 7.30pm Thu &amp; Sat mats 2.30pm London, Soho&#8230; 1956. 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